Monday, February 25, 2008
I, Nerd
Thursday, February 21, 2008
Writing with the Subconscious
There's been a flood of sage advice coming at me lately, for what reason I don't know. Truth be told, none of it has really helped . . . yet. I assume that at some point that will change. Possibly when I begin to heed said advice, but lets not get overly speculative here. Yesterday, my Dad gave me a book on the subject of writing called, "Writing Down the Bones." He doesn't read these sorts of things so Lords know where he got it from. It just sort of popped up out of nowhere, with no explicable reason for him having it, or wanting to read it, or having the motivation to get dressed, leave his house, and buy things. But really, it seems like a decent enough book when its all said and done. Or at least, it seems that way from the cover and the couple of pictures I saw while flipping through it.
Its written by some lady named Natalie Goldberg, who by odd coincidences, happens to live in Taos. Or at least she did when she was alive. She may still be alive for all I know, but I wanted to put that qualifier in there just in case she's at the bottom of a ravine right now, her neck being chewed clean through by coyotes. If that were the case, I'd come out quite the fool if I said she was still alive, eh? The fact that she lives in Taos, and that her book was in random possession by my own father, leads me to believe, by the logic of my Hollywood-trained brain, that I'm going to have a life crisis soon and that I'm going to have a cute- meet with Mrs. Goldberg at a bus depot. She'll listen to my foibles and set me on the path to self-actualization in my third act. I can't wait. Until then, I'll just read the book and from the bits and pieces that I've managed to read while waiting for the toaster to pop up with my tasty tortilla nibblets, her book actually seems rather fascinating. We seem to have drawn similar conclusions about the craft.
In a chapter titled, 'Composting,' she illuminates with much greater clarity, a concept that I've been rambling on about for some time now: the idea that failed writing is necessary. I'll admit right now that I hadn't come to the exact conclusion as she, and actually do prefer her version of it. Here's the gist: the subconscious works, like a computational sub-routine, quietly in the background of your thoughts. Spontaneous leaps of creativity, logic, and understanding come from this capacity of the subconscious. In order for this part of mind to work efficiently, we need to feed it raw materials, events, characters, things from our past, emotions, experiences, whatever. By writing, in freeform, in automatic writing, in journals, diaries, blogs, we do precisely this. We till the soil of our thought, turn over ideas, bring them to the surface and let them breathe, settle.
While you're working away at other things consciously, like say, trying to perfectly toast a tortilla so that the surface temperature is just right for melting butter into a gooey puddle of deliciousness, you're subconscious is beneath it all, toiling in the dark recesses of your brain. It may come to conclusions down there in the cellar that you never would have come to just by analysis, and when its done and ready with one of those conclusions, they bubble up to the surface at seemingly random times, like say, while eating a soft, buttery tortilla. We call these Eureka! moments. Not necessarily having anything to do with the Sci-Fi Channel show, Eureka!, but having more to do with the surprise and clarity of the thought bubbling up from the obscure machinery of the mind.
When you're writing out the back of your behind, like I usually do on this blog, and failing miserably at the point you're trying desperately to illustrate, you're doing yourself quite a service. Isn't that nice to hear? You are actively feeding the subconscious the materials it needs to germinate the greater ideas, the more coherent ones that you will ideally capitalize on once you recognize them. Most writers know this intuitively, as I did for many years. This why most novels are proceeded by the writing of pages and pages and pages of 'notes,' and why note taking is essential to the process of non-fiction writing. Everything feeds into the subconscious and gets slushed around like so much wet concrete until the appropriate moment.
My biggest revelation, lately has been my understanding that the first draft of a story is essentially a part of this process: composting. This is why most writing advice urges you to hurry through the first draft as quickly as possible. The idea is to culminate the final stage of rumination inside of your subconscious so that the second draft will be more finely crafted. In general terms, the first draft is the great big pile of shit from which grows the real story. Hurry through it, get that big ol' plop down and let it sit. It doesn't matter how terrible this version of the story is, because, in essence, it is NOT a version of the story. Its nothing more than a comprehensive set of notes from which you will be able to see what works, what doesn't, and why. Consider this an intentional failure. The first draft will stink, get used to that concept and begin believing in the necessity of it stinking. Compost doesn't come in any other odors. . . . Tortillas on the other hand, will never cease in their savory fragrances and so, I'm going to go eat one. Adios, o' mi hermanos y amigos solomente.
Tuesday, February 12, 2008
On Politics
For the first time in my life I wrote my Senators. I've got two of them. You've got two of them. I wrote them both. I had hoped for a salve to sooth the burning sensation I felt, still feel, like a spider bite in my chest. The bill amendment I wrote about had already been voted on and I don't harbor any delusions that I'll affect their future voting habits. This is why I considered it a salve and not a remedy. I needed to make a gesture, just flap my arms, huff my chest, let out a little shudder of distaste. Or I thought I did.
Does it matter what I wrote them about? This is not a political message at its core. There are people far more qualified than I who blog daily on the subject of politics. They've spent their lives in vigilance and if you've the mind to read or listen to that sort, then you probably already have and you don't need me to further evangelize.
But there's a sense I've been having, very distinct, that a once great momentum is being systematically diverted. Other people have been aware of this far longer than I and beyond that I think there is a general sense of it in the American people at large, too, if only as a fleeting, discomforting thought. Blind and contended as we're made out to be, its there. We see traffic cameras and we know we are being watched. We read the news and know there are pages missing. We see kids in their schools and know they could have, should have, much more than what we've provided.
I feel it, know it, but I'm not out there marching. I'm not speaking out. I'm not finding my representatives and giving them the hell they deserve. I read the news, listen to the radio, and hear every plea in my head that something MORE must be done, but I haven't brought myself to any action. I vote my conscience and glad that, for once in my life, I have the opportunity to vote for some one I believe in and not merely against some one I don't. Beyond that it is only a vote. Sure, we're told that voting is a great act of citizenship, a duty, but to be honest, I when I left the polling booth last week, I felt like I was just filling out a restaurant comment card. Did you like our service? Would you visit us again in the future? Were our servers kind and courteous?
I want only to know why: why it has taken me so long just to write two emails. I've known all my life that I was being trained to ignore the world around me. You feel it to, that sense, don't you? Its as though there's a magician out there somewhere trying to get us to look at his right hand, when really the canary is in his left--and we don't give a damn because he puts on one hell of a show. We're deluded and we don't care. That's my generation's mantra, but I just don't know how much longer I can go on with all this double-thinking going on in my head.
I hope that writing as I did, to Domenici and Bingaman, wasn't just an isolated outburst. I need to feel, more than I ever have in my life, like I am fighting. Not just against the forces of erosion in the world, not just against the selfish lot who are driving modern policy, but against this apathetic feeling in my heart. If that's corny, then fine, its corny. Have a good laugh.
If any one has any stories of activism they'd like to share, I'm willing to listen. I know its the small changes that have led to the large and, like Archimedes, I'd just like to know where to stand.